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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
Professor Longhair
Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was a New Orleans blues singer and pianist. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as "instantly recognizable, combining rumba, mambo, and calypso."
The music journalist Tony Russell (in his book The Blues: From Robert Johnson to Robert Cray) wrote that "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John."
The music journalist Tony Russell (in his book The Blues: From Robert Johnson to Robert Cray) wrote that "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John."
Neil Young
Neil Percival Young OM (born November 12, 1945, Toronto, Ontario) is a Canadian singer-songwriter, musician and film director.
Young's work is characterized by deeply personal lyrics, distinctive guitar work, and signature nasal tenor singing voice. Although he accompanies himself on several different instruments—including piano and harmonica—his style of claw-hammer acoustic guitar and often idiosyncratic soloing on electric guitar are the linchpins of a sometimes ragged, sometimes polished sound. Although Young has experimented widely with differing music styles, including swing, jazz, rockabilly, blues, and electronic music throughout a varied career, his best known work usually falls into either of two distinct styles: folk-esque acoustic rock (as heard in songs such as "Heart of Gold", "Harvest Moon" and "Old Man") and electric-charged hard rock (in songs like "Cinnamon Girl", "Rockin' in the Free World" and "Hey Hey, My My (Into the Black)"). In more recent years, Young has started to adopt elements from newer styles of music, such as industrial, alternative country and grunge, the latter of which was profoundly influenced by his own style of playing, causing some to confer on him the title of "the godfather of grunge".
Young has directed (or co-directed) a number of films using the pseudonym Bernard Shakey, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), and Greendale (2003).
He is also an outspoken advocate for environmental issues and small farmers, having co-founded in 1985 the benefit concert Farm Aid, and in 1986 helped found The Bridge School, and its annual supporting Bridge School Benefit concerts, together with his wife Pegi.
Young's work is characterized by deeply personal lyrics, distinctive guitar work, and signature nasal tenor singing voice. Although he accompanies himself on several different instruments—including piano and harmonica—his style of claw-hammer acoustic guitar and often idiosyncratic soloing on electric guitar are the linchpins of a sometimes ragged, sometimes polished sound. Although Young has experimented widely with differing music styles, including swing, jazz, rockabilly, blues, and electronic music throughout a varied career, his best known work usually falls into either of two distinct styles: folk-esque acoustic rock (as heard in songs such as "Heart of Gold", "Harvest Moon" and "Old Man") and electric-charged hard rock (in songs like "Cinnamon Girl", "Rockin' in the Free World" and "Hey Hey, My My (Into the Black)"). In more recent years, Young has started to adopt elements from newer styles of music, such as industrial, alternative country and grunge, the latter of which was profoundly influenced by his own style of playing, causing some to confer on him the title of "the godfather of grunge".
Young has directed (or co-directed) a number of films using the pseudonym Bernard Shakey, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), and Greendale (2003).
He is also an outspoken advocate for environmental issues and small farmers, having co-founded in 1985 the benefit concert Farm Aid, and in 1986 helped found The Bridge School, and its annual supporting Bridge School Benefit concerts, together with his wife Pegi.
Billy Joel
William Martin Joel (born May 9, 1949) is an American pianist and singer-songwriter. He released his first hit song, "Piano Man", in 1973. According to the RIAA, he is the sixth best-selling recording artist in the United States.
Joel had Top 10 hits in the '70s, '80s, and '90s; is a six-time Grammy Award winner, and has sold in excess of 150 million albums worldwide. He was inducted into the Songwriter's Hall of Fame (Class of 1992), the Rock and Roll Hall of Fame (Class of 1999), and the Long Island Music Hall of Fame (Class of 2006). Joel "retired" from recording pop music in 1993 but continued to tour (sometimes with Elton John). In 2001 he subsequently released Fantasies & Delusions, a CD of classical compositions for piano. In 2007 he returned to recording with a single entitled "All My Life," followed by an extensive "World Tour" from 2006-2008, covering many of the major world cities.
Joel had Top 10 hits in the '70s, '80s, and '90s; is a six-time Grammy Award winner, and has sold in excess of 150 million albums worldwide. He was inducted into the Songwriter's Hall of Fame (Class of 1992), the Rock and Roll Hall of Fame (Class of 1999), and the Long Island Music Hall of Fame (Class of 2006). Joel "retired" from recording pop music in 1993 but continued to tour (sometimes with Elton John). In 2001 he subsequently released Fantasies & Delusions, a CD of classical compositions for piano. In 2007 he returned to recording with a single entitled "All My Life," followed by an extensive "World Tour" from 2006-2008, covering many of the major world cities.
Charlie Hunter
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off." Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars.
David Nevue
David Nevue is a solo piano composer and a pianist. He is the founder of Whisperings: Solo Piano Radio, an online radio station, as well as The Music Biz Academy, an educational web site for independent musicians. He is the author of the book, How to Promote Your Music Successfully on the Internet.
The Pussycat Dolls
Pussycat Dolls (abbreviated to PCD) are an American girl group and dance ensemble founded by choreographer Robin Antin in 1995 as a burlesque troupe based in Los Angeles. After attracting national attention, Antin eventually negotiated a record deal with Interscope Records in 2003 turning the group into a music franchise, comprising Nicole Scherzinger alongside Carmit Bachar, Melody Thornton, Jessica Sutta, Ashley Roberts and Kimberly Wyatt. Since then the group has developed a global image and commercial brand overseen by Antin, Interscope and various partners. They have diversified into reality television programs, a Las Vegas act and product endorsements amongst other things.
Success as a music group came in 2005 with their first album PCD which debuted at number five in the US producing three successful singles "Don't Cha", "Buttons", and "Stickwitu"; the latter earned the group a Grammy Award nomination. Following the departure of Carmit Bachar in February 2008, the group continued as a quintet and in September of that year they released their second album, Doll Domination, spawning singles "When I Grow Up", "I Hate This Part" and "Jai Ho! (You Are My Destiny)".
Success as a music group came in 2005 with their first album PCD which debuted at number five in the US producing three successful singles "Don't Cha", "Buttons", and "Stickwitu"; the latter earned the group a Grammy Award nomination. Following the departure of Carmit Bachar in February 2008, the group continued as a quintet and in September of that year they released their second album, Doll Domination, spawning singles "When I Grow Up", "I Hate This Part" and "Jai Ho! (You Are My Destiny)".
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Regina Spektor
Regina Spektor (born February 18, 1980) is a Soviet-born Jewish-American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered on New York City's East Village.
Spektor has said that she has created 700 songs, but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her. Spektor possesses a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.
Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song. Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs.
Spektor has said that she has created 700 songs, but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her. Spektor possesses a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.
Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song. Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs.
Chris Brown
Christopher Maurice Brown (born May 5, 1989) is a Grammy nominated American R&B and pop singer-songwriter, dancer, music video director and actor. He made his recording debut in late 2005 with Chris Brown at the age of 16. The album featured the hit single "Run It!", which topped the Billboard 100, making Brown the first male artist to have his debut single go to the top. The album sold two million copies in the United States and was subsequently certified multi-platinum by the RIAA.
Brown's second studio album, Exclusive was released worldwide in November 2007. It spawned two successful singles; his second US number one hit, "Kiss Kiss" featuring T-Pain. and "With You", which topped out at number 2 on the Billboard Hot 100. The latest single "Forever" was released in May 2008 off the deluxe Exclusive: The Forever Edition and has so far has peaked at number 2 on Billboard Hot 100. Exclusive has gone platinum, moving over one million units.
In addition to his solo commercial success, Brown has been featured on several hits such as "No Air a duet with singer Jordin Sparks, "Shortie like Mine" with the rapper Bow Wow and "Shawty Get Loose" alongside Lil Mama and T-Pain. The songs have topped out #3, #9 and #10 on the Hot 100 respectively. Brown has been compared due to his vocal and dance talents to renowned R&B artists such as Usher and Michael Jackson and has named both as large influences on his music.
Brown's second studio album, Exclusive was released worldwide in November 2007. It spawned two successful singles; his second US number one hit, "Kiss Kiss" featuring T-Pain. and "With You", which topped out at number 2 on the Billboard Hot 100. The latest single "Forever" was released in May 2008 off the deluxe Exclusive: The Forever Edition and has so far has peaked at number 2 on Billboard Hot 100. Exclusive has gone platinum, moving over one million units.
In addition to his solo commercial success, Brown has been featured on several hits such as "No Air a duet with singer Jordin Sparks, "Shortie like Mine" with the rapper Bow Wow and "Shawty Get Loose" alongside Lil Mama and T-Pain. The songs have topped out #3, #9 and #10 on the Hot 100 respectively. Brown has been compared due to his vocal and dance talents to renowned R&B artists such as Usher and Michael Jackson and has named both as large influences on his music.
Marvin Hamlisch
Marvin Frederick Hamlisch (June 2, 1944 – August 6, 2012) was an American composer and conductor. Hamlisch was one of only sixteen people to win Emmy, Grammy, Oscar and Tony awards. This collection of all four is referred to as an "EGOT". He is one of only two people (along with composer Richard Rodgers) to have won those four prizes and a Pulitzer Prize ("PEGOT").
Eric Satie
Éric Alfred Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.
Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Stevie Wonder
Stevie Wonder (born Stevland Hardaway Judkins on May 13, 1950, name later changed to Stevland Hardaway Morris) is an American singer-songwriter, multi-instrumentalist, and record producer. A prominent figure in popular music during the latter half of the 20th century , Wonder has recorded more than thirty top ten hits, won 26 Grammy Awards (a record for a solo artist), plus one for lifetime achievement, won an Academy Award for Best Song and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize.
Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age twelve, and continues to perform and record for the label to this day. He has nine U.S. number-one hits to his name (on the pop Charts, 20 U.S. R&B number one hits), and album sales totaling more than 150 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica, and clavinet. In his early career, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocals.
Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age twelve, and continues to perform and record for the label to this day. He has nine U.S. number-one hits to his name (on the pop Charts, 20 U.S. R&B number one hits), and album sales totaling more than 150 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica, and clavinet. In his early career, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocals.
Metallica
Metallica is an American heavy metal band that formed in 1981 in Los Angeles, California. Founded when drummer Lars Ulrich posted an advertisement in a Los Angeles newspaper, Metallica's original line-up consisted of Ulrich, rhythm guitarist and vocalist James Hetfield, lead guitarist Dave Mustaine, and bassist Ron McGovney. These last two were later replaced from the band, in favor of Kirk Hammett and Cliff Burton, respectively. In September 1986, Metallica's tour bus skidded out of control and flipped, which resulted in Burton being crushed under the bus and killed. Jason Newsted replaced him less than two months later. Newsted left the band in 2001 and was replaced by Robert Trujillo in 2003.
Metallica's early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the "Big Four" of the thrash metal subgenre alongside Slayer, Megadeth and Anthrax. The band earned a growing fan base in the underground music community, and some critics say the 1986 release Master of Puppets is one of the most influential and "heavy" thrash metal albums. The band achieved substantial commercial success with its self-titled 1991 album, which debuted at number one on the Billboard 200. Some critics and fans believed the band changed its musical direction to appeal to the mainstream audience. With the release of Load in 1996, Metallica distanced itself from earlier releases in what has been described as "an almost alternative rock approach", and the band faced accusations of "selling out".
In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without the band members' consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger in 2003 disappointed some critics and fans with the exclusion of guitar solos, and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger.
Metallica's early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the "Big Four" of the thrash metal subgenre alongside Slayer, Megadeth and Anthrax. The band earned a growing fan base in the underground music community, and some critics say the 1986 release Master of Puppets is one of the most influential and "heavy" thrash metal albums. The band achieved substantial commercial success with its self-titled 1991 album, which debuted at number one on the Billboard 200. Some critics and fans believed the band changed its musical direction to appeal to the mainstream audience. With the release of Load in 1996, Metallica distanced itself from earlier releases in what has been described as "an almost alternative rock approach", and the band faced accusations of "selling out".
In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without the band members' consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger in 2003 disappointed some critics and fans with the exclusion of guitar solos, and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Johann Pachelbel
Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Cabaret
Cabaret is a musical with a book by Joe Masteroff, lyrics by Fred Ebb, and music by John Kander. The 1966 Broadway production became a hit and spawned an acclaimed 1972 film as well as numerous subsequent productions.
Originally entitled Welcome to Berlin, it is based on John Van Druten's play I Am a Camera, which in turn was adapted from the novel Goodbye to Berlin, by Christopher Isherwood. Set in 1929-1930 Berlin on the eve of the Nazis' rise to power, it focuses on nightlife at the seedy Kit Kat Klub and mostly revolves around the English 19-year-old cabaret performer Sally Bowles and her relationship with young American writer, Cliff Bradshaw. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Emcee, who presides as master of ceremonies at the Kit Kat Klub and serves as a constant metaphor for the current state of society in Weimar Germany throughout the show.
Originally entitled Welcome to Berlin, it is based on John Van Druten's play I Am a Camera, which in turn was adapted from the novel Goodbye to Berlin, by Christopher Isherwood. Set in 1929-1930 Berlin on the eve of the Nazis' rise to power, it focuses on nightlife at the seedy Kit Kat Klub and mostly revolves around the English 19-year-old cabaret performer Sally Bowles and her relationship with young American writer, Cliff Bradshaw. A sub-plot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Emcee, who presides as master of ceremonies at the Kit Kat Klub and serves as a constant metaphor for the current state of society in Weimar Germany throughout the show.
Vu Thanh An
Vu Thanh An (born 1943) was one of the prominent musicians of South Vietnam from 1954 to 1975. The "Untitled" articles are his famous works. Currently, he is a deacon of the Roman Catholic Church, ceasing to compose love songs, but only composing hymns.
Steve Barakatt
Steve Barakatt (born May 17, 1973) is a Canadian composer, music producer, pianist, singer and creative director. When he was four, he began piano lessons. Over the next 10 years he studied classical music, and then switched to jazz.Barakatt enjoyed many challenging musical experiences from an early age, including that of guest soloist with l'Orchestre symphonique de Québec when he was 13. When he was 16, he became fascinated by composition, arranging and production. He studied the new technology available and soon mastered all the intricacies of music programming. So much so that the Japanese firm Roland invited him to present their new products at the 1992 NAMM Show in Anaheim, California.
Daniel Alomia Robles
Daniel Alomía Robles (3 January 1871 – 17 July 1942) was a Peruvian composer and ethnomusicologist. He is best known for composing the song "El Cóndor Pasa" in 1913 as part of a zarzuela — a musical play that alternates between spoken and sung parts — of the same name. This song was based on Andean folk songs and is possibly the best known Peruvian song, partly due to the worldwide success that the melody obtained when it was used by Simon and Garfunkel as their music for "El Cóndor Pasa (If I Could)", although that song has different lyrics.
Pamela Wedgwood
Born in 1947, Pam’s musical career began with the recorder and piano, and Tenor Horn and Euphonium through the brass band tradition at her school. She then took up the Cello and French Horn, entering Trinity College of Music in London to study Piano, Horn, Cello and composition at the age of sixteen.
Michel Camilo
Michel Camilo (born April 4, 1954) is a pianist and composer from Santo Domingo, Dominican Republic. He is known as a great jazz, Latin and classical pianist with superb technical ability, and has played and recorded with many world-famous musicians. Michel lists some of his main influences as Chick Corea, Keith Jarrett, Oscar Peterson, Bill Evans, and Art Tatum.
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Akira Senju
Akira Senju (千住 明 Senju Akira, born October 21, 1960) is a Japanese composer, arranger and conductorSenju studied composition at the Tokyo National University of Fine Arts and Music and received his master's degree with honors. Between 1994 and 2003, he produced series of cover albums Utahime for Japanese singer Akina Nakamori with more than million sold copies overall.
Composition credits include Mobile Suit Victory Gundam, Rampo, Yomigaeri, Red Garden, Nada Sōsō, Fūrin Kazan, Fullmetal Alchemist: Brotherhood, Tales of Vesperia: The First Strike, the 2012 revival of Iron Chef, and anime version of Battery. Arrangement credits include Hikari. Performance credits include Handsome Boy, The Snow Queen (Yuki no Joou). He is brother to Hiroshi Senju, the Nihonga painter. His younger sister is Mariko Senju,the violinist.
Composition credits include Mobile Suit Victory Gundam, Rampo, Yomigaeri, Red Garden, Nada Sōsō, Fūrin Kazan, Fullmetal Alchemist: Brotherhood, Tales of Vesperia: The First Strike, the 2012 revival of Iron Chef, and anime version of Battery. Arrangement credits include Hikari. Performance credits include Handsome Boy, The Snow Queen (Yuki no Joou). He is brother to Hiroshi Senju, the Nihonga painter. His younger sister is Mariko Senju,the violinist.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Leonard Cohen
Leonard Norman Cohen, CC, GOQ (born September 21, 1934) is a Canadian singer-songwriter, musician, poet and novelist. Cohen published his first book of poetry in Montreal in 1956 and his first novel in 1963. His work often deals with the exploration of religion, isolation, sexuality and complex interpersonal relationships. Famously reclusive, spending years in a Zen Buddhist monastery, and possessing a persona frequently associated with mystique, he is extremely well-regarded by critics for his literary accomplishments and for producing an output of work of high artistic quality over a five-decade career.
Musically, Cohen's earliest songs (many of which appeared on the 1967 album, Songs of Leonard Cohen) were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s his high baritone voice has evolved into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backing singers.
Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at Cohen's induction into the American Rock and Roll Hall of Fame on March 10, 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters".
Musically, Cohen's earliest songs (many of which appeared on the 1967 album, Songs of Leonard Cohen) were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s his high baritone voice has evolved into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backing singers.
Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at Cohen's induction into the American Rock and Roll Hall of Fame on March 10, 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters".
Bob Chilcott
Robert "Bob" Chilcott (born 9 April 1955) is a British choral composer, conductor, and singer, based in Oxfordshire, England. He was a member of the King's Singers from 1985 to 1997, singing tenor. He has been a composer since 1997.Chilcott was born in Plymouth. He sang in the Choir of King's College, Cambridge, both as a boy and as a university student, when he conducted the voluntary Choral Society, which included many singers from other colleges. He performed the Pie Jesu of Fauré's Requiem on the 1967 King's College recording.
George Phillip Telemann
Georg Philipp Telemann is a German musician, composer and virtuoso of various instruments. His compositions are in German baroque style. He studied languages and science at the University of Leipzig
Hanon
Charles-Louis Hanon (born in Renescure, France 2 July 1819, died in Boulogne-sur-Mer, France 19 March 1900) was a French piano pedagogue and composer. He is best known for his work The Virtuoso Pianist In 60 Exercises, which have become the most widely used exercises in modern piano teaching. Piano students all over the world know of Hanon’s famous training exercises for pianists. Both Sergei Rachmaninov and Josef Lhévinne claimed Hanon to be the secret of why the Russian piano school delivered an explosion of virtuosi in their time, for the Hanon exercises have been obliged for a long time throughout Russian conservatories; there were special examinations in which one had to know all exercises by heart to be played in all tonalities in highly advanced speed.
Although the value of Hanon's exercises is highly recognized by most of the greatest pedagoges and pianists, it is not completely without its detractors. Some critics have questioned the merits of the independent finger technique which the exercises seek to cultivate, with some pedagogues, such as Abby Whiteside considering them to be actively harmful.
It has been a recent trend for music schools to hold a Hanon Marathon, Church Street School for Music and Art being the first to have coined the term and held the event, in which Hanon exercises are played competitively.
Other works of Hanon include 50 instructional pieces, Méthode Élémentaire de Piano, and a collection of 50 Ecclesiastical Chants.
Charles Nunzio, now in his nineties, wrote "Hanon for Accordion", a two-volume set of exercises for Piano Accordion based on a similar philosophy, which has recently been reissued in an updated edition. A Hanon for Guitar has also been written.
Although the value of Hanon's exercises is highly recognized by most of the greatest pedagoges and pianists, it is not completely without its detractors. Some critics have questioned the merits of the independent finger technique which the exercises seek to cultivate, with some pedagogues, such as Abby Whiteside considering them to be actively harmful.
It has been a recent trend for music schools to hold a Hanon Marathon, Church Street School for Music and Art being the first to have coined the term and held the event, in which Hanon exercises are played competitively.
Other works of Hanon include 50 instructional pieces, Méthode Élémentaire de Piano, and a collection of 50 Ecclesiastical Chants.
Charles Nunzio, now in his nineties, wrote "Hanon for Accordion", a two-volume set of exercises for Piano Accordion based on a similar philosophy, which has recently been reissued in an updated edition. A Hanon for Guitar has also been written.
Cat Stevens
Yusuf Islam, (born Steven Demetre Georgiou on 21 July 1948), best known by his former stage name Cat Stevens, is a British musician of Greek Cypriot and Swedish ancestry. He is a singer-songwriter, multi-instrumentalist, educator, philanthropist and prominent convert to Islam.
As Cat Stevens, he sold over 60 million albums around the world since the late 1960s. His albums Tea for the Tillerman and Teaser and the Firecat were both certified as Triple Platinum by the RIAA in the United States (three million sales each); his album Catch Bull at Four sold half a million copies in the first two weeks of release alone, and was Billboard's number-one LP for three consecutive weeks. His songwriting has also earned him two ASCAP songwriting awards for "The First Cut Is the Deepest," which has been a hit single for five different artists, and has been instrumental for others in establishing their musical careers.
Stevens converted to Islam at the height of his fame in 1977. The following year, he adopted his Muslim name Yusuf Islam, sold all his instruments and awards for charity, and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He turned to his mother to help him decide the best candidate to wed, and thus, in an arranged marriage, took his vows with Fauzia Mubarak Ali, eventually producing five living children from the union.
He has been given several awards for his work in promoting peace in the world, including 2003's World Award, the 2004 Man for Peace award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music, with his first album of new pop songs in 28 years, entitled An Other Cup.
He lives with his wife, children and grand-child in London. Yusuf Islam spends part of each year in Dubai.
As Cat Stevens, he sold over 60 million albums around the world since the late 1960s. His albums Tea for the Tillerman and Teaser and the Firecat were both certified as Triple Platinum by the RIAA in the United States (three million sales each); his album Catch Bull at Four sold half a million copies in the first two weeks of release alone, and was Billboard's number-one LP for three consecutive weeks. His songwriting has also earned him two ASCAP songwriting awards for "The First Cut Is the Deepest," which has been a hit single for five different artists, and has been instrumental for others in establishing their musical careers.
Stevens converted to Islam at the height of his fame in 1977. The following year, he adopted his Muslim name Yusuf Islam, sold all his instruments and awards for charity, and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He turned to his mother to help him decide the best candidate to wed, and thus, in an arranged marriage, took his vows with Fauzia Mubarak Ali, eventually producing five living children from the union.
He has been given several awards for his work in promoting peace in the world, including 2003's World Award, the 2004 Man for Peace award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music, with his first album of new pop songs in 28 years, entitled An Other Cup.
He lives with his wife, children and grand-child in London. Yusuf Islam spends part of each year in Dubai.
Kirk Franklin
Kirk Dewayne Franklin (born January 26, 1970) is an American gospel musician, choir director, and author. He is known for leading urban contemporary gospel choirs such as The Family, God's Property and One Nation Crew (1NC), and has won multiple awards, including seven Grammy Awards.
Raul Di Blasio
Raúl Di Blasio is an Argentine pianist. Date of birth: November 14, 1949 (70 years old), Zapala, Argentina
Brother Bear
Brother Bear is a 2003 Academy Award nominated traditionally-animated feature produced by Walt Disney Feature Animation and released by Walt Disney Pictures on November 1, 2003, the forty-third animated feature in the Disney animated features canon. In the film, an Inuit boy pursues a bear in revenge for a battle that he provoked in which his oldest brother is killed. He tracks down the bear and kills it, but the Spirits, angered by this needless death, change the boy into a bear himself as punishment. Originally titled Bears, it was the third and final Disney animated feature produced primarily by the Feature Animation studio at Disney-MGM Studios in Orlando, Florida; the studio was shut down in March 2004, not long after the release of this film in favor of computer animated features. A direct-to-video sequel, Brother Bear 2, followed in 2006.
Nightwish
Nightwish is a Finnish rock quintet, formed in 1996 in the town of Kitee, Finland. Nightwish is considered one of the bands responsible for the development and rise in popularity of symphonic metal at the end of the 1990s, as well as the creation of the subgenre symphonic power metal.
Although they have been prominent in their home country since the release of their first single, “The Carpenter” (1997) and debut album Angels Fall First, they did not achieve worldwide fame until the release of the albums Oceanborn, Wishmaster and Century Child, which were released in 1998, 2000 and 2002 respectively. Their 2004 album, Once, which was sold over than 4 million copies, led to Nightwish video clips being shown on MTV in the United States and inclusion of their music in U.S. movie soundtracks. Their biggest U.S. hit single, “Wish I Had an Angel” (2004), made it onto three U.S. film soundtracks as a means to promote their North American tour. The band produced three more singles and two music videos for the album, as well as “Sleeping Sun”, from the 2005 “best of” compilation album, Highest Hopes, prior to vocalist Tarja Turunen’s dismissal.
In May 2007, former Alyson Avenue frontwoman, Swede Anette Olzon, was revealed as Turunen’s replacement, and in the autumn, the band released a new album Dark Passion Play, which was sold over 2 million copies. A tour supporting the album is currently in progress.
Although they have been prominent in their home country since the release of their first single, “The Carpenter” (1997) and debut album Angels Fall First, they did not achieve worldwide fame until the release of the albums Oceanborn, Wishmaster and Century Child, which were released in 1998, 2000 and 2002 respectively. Their 2004 album, Once, which was sold over than 4 million copies, led to Nightwish video clips being shown on MTV in the United States and inclusion of their music in U.S. movie soundtracks. Their biggest U.S. hit single, “Wish I Had an Angel” (2004), made it onto three U.S. film soundtracks as a means to promote their North American tour. The band produced three more singles and two music videos for the album, as well as “Sleeping Sun”, from the 2005 “best of” compilation album, Highest Hopes, prior to vocalist Tarja Turunen’s dismissal.
In May 2007, former Alyson Avenue frontwoman, Swede Anette Olzon, was revealed as Turunen’s replacement, and in the autumn, the band released a new album Dark Passion Play, which was sold over 2 million copies. A tour supporting the album is currently in progress.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer of musical theatre, the elder son of organist William Lloyd Webber and brother of the cellist Julian Lloyd Webber. Lloyd Webber started composing at the age of six, and published his first piece at the age of nine.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Giuseppe Martucci
Giuseppe Martucci (Italian pronunciation: ; Capua, 6 January 1856 – Naples, 1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Wagner's operas to Italy and also gave important early concerts of English music there.
Final Fantasy VI
Final Fantasy VI, also known as Final Fantasy III for its initial North American release, is a role-playing video game developed and published by Square for the Super Nintendo Entertainment System. Released in 1994, it is the sixth title in the mainline Final Fantasy series. Set in a fantasy world with a technology level equivalent to that of the Second Industrial Revolution, the game's story focuses on a group of rebels as they seek to overthrow an imperial dictatorship. The game features fourteen permanent playable characters, the most of any game in the main series.
It was ported by Tose with minor differences to Sony's PlayStation in 1999 and Nintendo's Game Boy Advance in 2006, and it was released for the Wii's Virtual Console in 2011. The game was known as Final Fantasy III when it was first released in North America, as the original Final Fantasy II, Final Fantasy III, and Final Fantasy V had not been released outside Japan at the time (leaving IV as the second title released outside Japan and VI as the third). However, most later localizations used the original title. Final Fantasy VI was the first game in the series to be directed by someone other than producer and series creator Hironobu Sakaguchi; the role was filled instead by Yoshinori Kitase and Hiroyuki Ito. Yoshitaka Amano, a long-time contributor to the Final Fantasy series, returned as the image and character designer, while regular composer Nobuo Uematsu wrote the game's score, which has been released on several soundtrack albums.
It was ported by Tose with minor differences to Sony's PlayStation in 1999 and Nintendo's Game Boy Advance in 2006, and it was released for the Wii's Virtual Console in 2011. The game was known as Final Fantasy III when it was first released in North America, as the original Final Fantasy II, Final Fantasy III, and Final Fantasy V had not been released outside Japan at the time (leaving IV as the second title released outside Japan and VI as the third). However, most later localizations used the original title. Final Fantasy VI was the first game in the series to be directed by someone other than producer and series creator Hironobu Sakaguchi; the role was filled instead by Yoshinori Kitase and Hiroyuki Ito. Yoshitaka Amano, a long-time contributor to the Final Fantasy series, returned as the image and character designer, while regular composer Nobuo Uematsu wrote the game's score, which has been released on several soundtrack albums.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Randy brecker
Randal Edward Brecker is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B.
Avenged Sevenfold
Avenged Sevenfold is an American rock band from Huntington Beach, California, formed in 1999. The band has achieved mainstream success with their 2005 album City of Evil, which included singles such as "Burn It Down", "Bat Country," "Beast and the Harlot" and "Seize the Day." The band's success followed with their self-titled album, with singles such as "Critical Acclaim", "Almost Easy", "Afterlife", "Scream" and "Dear God".
Paul Simon
Paul Frederic Simon (born October 13, 1941) is an American songwriter, musician, and member of the Rock and Roll Hall of Fame. In 2006, Time magazine called him one of the 100 "people who shape our world." As of 2007, he resides in New Canaan, Connecticut.
He released Paul Simon in 1972, which contained one of his first experiments with world music, the Jamaican-inspired Mother and Child Reunion, and There Goes Rhymin' Simon in 1973. His 1975 album Still Crazy After All These Years is considered to be among his finest work, particularly the title track and the hit single "50 Ways to Leave Your Lover." The One Trick Pony album, Simon's first album with Warner Bros. Records was also paired with a major motion picture of the same name, with Simon in the starring role. Simon's next album Hearts and Bones, while critically acclaimed, did not yield any hit singles and marked a lull in his commercial popularity in the early 1980s.
In 1985, Simon lent his talents to USA for Africa and performed on the famine relief fundraising single "We Are the World". In 1986 he released the immensely popular Graceland, for which he won a Grammy. The album featured the groundbreaking use of African rhythms and performers such as Ladysmith Black Mambazo. In 1990, he followed up Graceland with the commercially successful and consistent successor album The Rhythm of the Saints, which featured Brazilian musical themes.
His 2000 studio album You're the One, did not reach the commercial heights of previous albums but was considered by many fans and critics to be an artistic success and received a Grammy nomination for Album of the Year. Simon's latest album, Surprise, produced by himself and Brian Eno, was released on May 9, 2006. In commenting on US TV show Ellen what drove him to write material for this latest album, Simon noted the events of September 11, 2001 and also turning 60 since his previous album You're the One.
He released Paul Simon in 1972, which contained one of his first experiments with world music, the Jamaican-inspired Mother and Child Reunion, and There Goes Rhymin' Simon in 1973. His 1975 album Still Crazy After All These Years is considered to be among his finest work, particularly the title track and the hit single "50 Ways to Leave Your Lover." The One Trick Pony album, Simon's first album with Warner Bros. Records was also paired with a major motion picture of the same name, with Simon in the starring role. Simon's next album Hearts and Bones, while critically acclaimed, did not yield any hit singles and marked a lull in his commercial popularity in the early 1980s.
In 1985, Simon lent his talents to USA for Africa and performed on the famine relief fundraising single "We Are the World". In 1986 he released the immensely popular Graceland, for which he won a Grammy. The album featured the groundbreaking use of African rhythms and performers such as Ladysmith Black Mambazo. In 1990, he followed up Graceland with the commercially successful and consistent successor album The Rhythm of the Saints, which featured Brazilian musical themes.
His 2000 studio album You're the One, did not reach the commercial heights of previous albums but was considered by many fans and critics to be an artistic success and received a Grammy nomination for Album of the Year. Simon's latest album, Surprise, produced by himself and Brian Eno, was released on May 9, 2006. In commenting on US TV show Ellen what drove him to write material for this latest album, Simon noted the events of September 11, 2001 and also turning 60 since his previous album You're the One.
Ben Folds
Benjamin Scott Folds (born September 12, 1966 in Winston-Salem, North Carolina) is an American singer and pianist. He originally gained fame as a member of the rock band, Ben Folds Five. Ben has released three solo albums: Fear of Pop: Volume 1, Rockin' the Suburbs, and Ben Folds Live. Fear of Pop was released while Ben Folds Five were still together; Suburbs and Live were released afterwards. Since Fear of Pop is highly experimental and Live is a collection of live solo recordings of mostly songs originally recorded with Ben Folds Five, Rockin' the Suburbs is Ben's first proper solo release. In late 2003 two solo EPs: Speed Graphic and Sunny 16 were released, with a third entitled Super D released in mid-2004. He currently resides in Adelaide, Australia with his wife, Frally Hynes, and two children, Louis and Grace. He tours Japan and the United States, as well as other parts of the world periodically.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Willie Nelson
Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound.
Jim Brickman
Jim Brickman (born November 20, 1961) is an American composer and pianist. Brickman is known for his solo piano compositions, which are classified as new age music. However, he is as well known for his original love songs and performing them with vocalists such as Martina McBride, Michael W. Smith, Michelle Wright and others.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
Danny Elfman
Daniel Robert "Danny" Elfman (born May 29, 1953) is an American musician, best known for composing music for television and movies, and leading the rock band Oingo Boingo as singer/songwriter from 1976 until its breakup in 1995. He is a frequent collaborator with long-time friend Tim Burton, and has scored all but two of his films. He was nominated for four Academy Awards and won a Grammy Award for Tim Burton's Batman and an Emmy Award for his Desperate Housewives theme. Elfman also wrote the theme for the video game Fable. He is also famous for creating The Simpsons main title theme, and his role as Jack Skellington's singing voice in The Nightmare Before Christmas. He is the Uncle in-law to actress Jenna Elfman.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Andy Williams
Howard Andrew "Andy" Williams (born December 3, 1927) is an American pop singer. Andy Williams has recorded 18 Gold and three Platinum certified albums. When Ronald Reagan was president, he declared Andy's voice to be "a national treasure". He had his own popular TV variety show from 1962–71. He also owns his own theater, the Moon River Theatre in Branson, Missouri.
Williams' solo career began in 1952 after his brothers left the act. He recorded six sides for RCA Victor's label "X," but none of them were popular hits.
After finally landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed by his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3), "The Village of St. Bernadette" (U.S. #7), "Lonely Street" (U.S. #5), and "I Like Your Kind Of Love" (U.S. #8) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2). In terms of chart popularity, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards.
During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra, Johnny Mathis and Elvis Presley. By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( #1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.
Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years and has been penned as Mr. Christmas.
Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through the 19th Annual Grammy Awards in 1977, totaling seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–77.
Williams' solo career began in 1952 after his brothers left the act. He recorded six sides for RCA Victor's label "X," but none of them were popular hits.
After finally landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed by his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3), "The Village of St. Bernadette" (U.S. #7), "Lonely Street" (U.S. #5), and "I Like Your Kind Of Love" (U.S. #8) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2). In terms of chart popularity, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards.
During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra, Johnny Mathis and Elvis Presley. By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( #1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.
Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years and has been penned as Mr. Christmas.
Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through the 19th Annual Grammy Awards in 1977, totaling seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–77.
Athur Laurent
Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
Aziza Mustafa Zadeh
Aziza Mustafa Zadeh (Azeri: Əzizə Mustafazadə; born December 19, 1969) also known as The Princess of Jazz, or Die Prinzessin des Jazz or as Jazziza is an Azerbaijani singer, pianist and composer who plays a fusion of jazz and mugam (a traditional improvisational style of Azerbaijan) with classical and Avant-garde influences. Reviewers have said that her style also shows some influence from Keith Jarrett. She currently resides in Mainz, Germany with her mother, Eliza Mustafa Zadeh, who is also her manager. Her two favorite leisure activities, she says, are painting and sleeping. She is a vegetarian. Since 1991, Aziza sold around 15 million albums worldwide.