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Green Day
Green Day is an American rock trio formed in 1987. The band has consisted of Billie Joe Armstrong (vocals, guitar), Mike Dirnt (bass guitar, vocals), and Tré Cool (drums, percussion) for the majority of its existence.
Green Day was originally part of the punk rock scene at 924 Gilman Street in Berkeley, California. Its early releases for independent record label Lookout! Records earned them a grassroots fanbase, some of whom felt alienated when the band signed to a major label.
The band has sold over 65 million records worldwide, They also have three Grammy Awards, Best Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for "Boulevard of Broken Dreams".
Green Day was originally part of the punk rock scene at 924 Gilman Street in Berkeley, California. Its early releases for independent record label Lookout! Records earned them a grassroots fanbase, some of whom felt alienated when the band signed to a major label.
The band has sold over 65 million records worldwide, They also have three Grammy Awards, Best Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for "Boulevard of Broken Dreams".
Coldplay
Coldplay are a rock band formed in London, England in 1997. The group comprises vocalist/pianist/guitarist Chris Martin, lead guitarist Jonny Buckland, bassist Guy Berryman, and drummer/multi-instrumentalist Will Champion. Coldplay have sold 34.6 million albums, and are also known for their hit singles, such as "Yellow", "The Scientist", "Speed of Sound", "Fix You", "Viva la Vida" and the Grammy Award-winning "Clocks".
Coldplay achieved worldwide fame with the release of their single "Yellow", followed by their debut album, Parachutes (2000), which was nominated for the Mercury Prize. Its follow-up, A Rush of Blood to the Head (2002) won multiple awards such as NME's Album of the Year and was later included on Rolling Stone magazine's 500 Greatest Albums of All Time list, ranking at #473. Their next release, X&Y (2005), received a slightly less enthusiastic yet still generally positive reception. The band's fourth studio album, Viva la Vida or Death and All His Friends (2008), was produced by Brian Eno and released again to largely favourable reviews. All of Coldplay's albums have enjoyed great commercial success.
Coldplay's early material was compared to acts such as Jeff Buckley, U2, and Travis. Coldplay have been an active supporter of various social and political causes, such as Oxfam's Make Trade Fair campaign and Amnesty International. The group have also performed at various charity projects such as Band Aid 20, Live 8, and the Teenage Cancer Trust.
Coldplay achieved worldwide fame with the release of their single "Yellow", followed by their debut album, Parachutes (2000), which was nominated for the Mercury Prize. Its follow-up, A Rush of Blood to the Head (2002) won multiple awards such as NME's Album of the Year and was later included on Rolling Stone magazine's 500 Greatest Albums of All Time list, ranking at #473. Their next release, X&Y (2005), received a slightly less enthusiastic yet still generally positive reception. The band's fourth studio album, Viva la Vida or Death and All His Friends (2008), was produced by Brian Eno and released again to largely favourable reviews. All of Coldplay's albums have enjoyed great commercial success.
Coldplay's early material was compared to acts such as Jeff Buckley, U2, and Travis. Coldplay have been an active supporter of various social and political causes, such as Oxfam's Make Trade Fair campaign and Amnesty International. The group have also performed at various charity projects such as Band Aid 20, Live 8, and the Teenage Cancer Trust.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Ludovico Einaudi
Ludovico Einaudi (born 23 November 1955) is an Italian contemporary classical music composer and pianist.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Antonio Carlos Jobim
Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York City), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, Jobim is acknowledged as one of the most influential popular composers of the 20th century. His songs have been performed by many singers and instrumentalists within Brazil and internationally.
Maksim Mrvica
Maksim Mrvica (Croatian pronunciation: ; born May 3, 1975) is a popular pianist from Croatia. In 2003, Maksim released one of his first albums, The Piano Player.
Maksim has music videos for The Gypsy Maid, New World Concerto, Somewhere In Time, Nostradamus; directed by Tony van den Ende, Kolibre; directed by Tony van den Ende, Exodus, Olympic Dream, The Flight of the Bumble Bee, Prelude in C, Anthem and Child in Paradise.
Maksim has music videos for The Gypsy Maid, New World Concerto, Somewhere In Time, Nostradamus; directed by Tony van den Ende, Kolibre; directed by Tony van den Ende, Exodus, Olympic Dream, The Flight of the Bumble Bee, Prelude in C, Anthem and Child in Paradise.
Eric Clapton
Eric Patrick Clapton, CBE (born 30 March 1945), is an English blues-rock guitarist, singer, songwriter and composer. He is one of the most successful musicians of the 20th and 21st centuries, garnering an unprecedented three inductions into the Rock and Roll Hall of Fame (The Yardbirds, Cream, and solo). Often viewed by critics and fans alike as one of the greatest guitarists of all time, Clapton was ranked fourth in Rolling Stone Magazine's list of the "100 Greatest Guitarists of All Time" and #53 on their list of the Immortals: 100 Greatest Artists of All Time.
Although Clapton's musical style has varied throughout his career, it has usually remained rooted in the blues. Clapton is credited as an innovator in several phases of his career, which have included blues-rock (with John Mayall & the Bluesbreakers and The Yardbirds) and psychedelic rock (with Cream). Clapton has also achieved great chart success in genres ranging from Delta blues (Me and Mr. Johnson) to pop ("Change the World") and reggae (Bob Marley's "I Shot the Sheriff"). Clapton also achieved fame with Derek and the Dominos through the hit song "Layla".
Although Clapton's musical style has varied throughout his career, it has usually remained rooted in the blues. Clapton is credited as an innovator in several phases of his career, which have included blues-rock (with John Mayall & the Bluesbreakers and The Yardbirds) and psychedelic rock (with Cream). Clapton has also achieved great chart success in genres ranging from Delta blues (Me and Mr. Johnson) to pop ("Change the World") and reggae (Bob Marley's "I Shot the Sheriff"). Clapton also achieved fame with Derek and the Dominos through the hit song "Layla".
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song.Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet". Jimmy was raised Methodist.
Jason Derurlo
Jason Joel Desrouleaux (born September 21, 1989), better known by his stage name Jason Derulo (/dəˈruːloʊ/; formerly stylised as Derülo), is an American singer, songwriter, and dancer. Since the start of his solo recording career in 2009, he has sold over 30 million singles and has achieved eleven Platinum singles including "Wiggle", "Talk Dirty", "Want to Want Me", "Trumpets", "It Girl", "In My Head", "Ridin' Solo", and "Whatcha Say".
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Elton John
Sir Elton Hercules John CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English pop/rock singer, composer and pianist.
In his four-decade career, John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll. In 2004, Rolling Stone ranked him #49 on their list of the 100 greatest artists of all time.
Some of the characteristics of John's musical talent include an ability to quickly craft melodies for the lyrics of songwriting partner Bernie Taupin, his former rich tenor (now baritone) voice, his classical and gospel-influenced piano, the aggressive orchestral arrangements of Paul Buckmaster among others and the flamboyant fashions, outlandishly excessive eyeglasses, and on-stage showmanship, especially evident during the 1970s.
John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. On April 9, 2008, John held a benefit concert for Hillary Clinton's presidential campaign, raising $2.5 million.
In his four-decade career, John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll. In 2004, Rolling Stone ranked him #49 on their list of the 100 greatest artists of all time.
Some of the characteristics of John's musical talent include an ability to quickly craft melodies for the lyrics of songwriting partner Bernie Taupin, his former rich tenor (now baritone) voice, his classical and gospel-influenced piano, the aggressive orchestral arrangements of Paul Buckmaster among others and the flamboyant fashions, outlandishly excessive eyeglasses, and on-stage showmanship, especially evident during the 1970s.
John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. On April 9, 2008, John held a benefit concert for Hillary Clinton's presidential campaign, raising $2.5 million.
Bruno Mars
Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and music producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. After performing in various musical venues in his hometown throughout his childhood, he decided to pursue a musical career. Mars began producing songs for other artists, joining production team The Smeezingtons.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.
Simon & Garfunkel
Simon & Garfunkel are an American singer-songwriter duo of Paul Simon and Art Garfunkel. They formed the group Tom and Jerry in 1957, and had their first taste of success with the minor hit "Hey, Schoolgirl". As Simon and Garfunkel, the duo rose to fame in 1965, backed by the hit single "The Sounds of Silence". Their music was featured in the landmark film The Graduate, propelling them further into the public consciousness.
They are well known for their close harmonies and sometimes unstable relationship. Their last album, Bridge over Troubled Water, was delayed several times due to artistic disagreements. They were among the most popular recording artists of the 1960s, and are perhaps best known for their songs "The Sounds of Silence", "Mrs. Robinson", "Bridge over Troubled Water", and "The Boxer". They have received several Grammys and are inductees of the Rock and Roll Hall of Fame and the Long Island Music Hall of Fame (2007). In 2004, Rolling Stone ranked Simon and Garfunkel #40 on their list of the 100 Greatest Artists of All Time.
They have reunited on several occasions since their 1970 breakup, most famously for 1981's The Concert in Central Park, which attracted more than 500,000 people.
They are well known for their close harmonies and sometimes unstable relationship. Their last album, Bridge over Troubled Water, was delayed several times due to artistic disagreements. They were among the most popular recording artists of the 1960s, and are perhaps best known for their songs "The Sounds of Silence", "Mrs. Robinson", "Bridge over Troubled Water", and "The Boxer". They have received several Grammys and are inductees of the Rock and Roll Hall of Fame and the Long Island Music Hall of Fame (2007). In 2004, Rolling Stone ranked Simon and Garfunkel #40 on their list of the 100 Greatest Artists of All Time.
They have reunited on several occasions since their 1970 breakup, most famously for 1981's The Concert in Central Park, which attracted more than 500,000 people.
Jay Chou
Jay Chou (traditional Chinese: 周杰倫; simplified Chinese: 周杰伦; pinyin: Zhōu Jiélún; Wade-Giles: Chou Chieh-lun; Pe̍h-ōe-jī: Chiu Kia̍t-lûn) (born January 18, 1979) is a Taiwanese musician, singer, producer, actor and director who has won the World Music Award four times. He is well-known for composing all his own songs and songs for other singers. In 1998 he was discovered in a talent contest where he displayed his piano and song-writing skills. Over the next two years, he was hired to compose for popular Chinese singers. Although he was trained in classical music, Chou combines Chinese and Western music styles to produce songs that fuse R&B, rock and pop genres, covering issues such as domestic violence, war, and urbanization.
In 2000 Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold over 25 million albums worldwide. He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). His career now extends into directing and running his own record company JVR Music. He has also endorsed various models of Media Players released by Onda in which he appears on the box, and his signature and likeness is printed on the back of certain models of these players.
In 2000 Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold over 25 million albums worldwide. He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). His career now extends into directing and running his own record company JVR Music. He has also endorsed various models of Media Players released by Onda in which he appears on the box, and his signature and likeness is printed on the back of certain models of these players.
Mykola Leontovych
Mykola Dmytrovych Leontovych (Ukrainian: Микола Дмитрович Леонтович; sometimes spelt Leontovich; December 13 1877 – 23 January 1921) was a Ukrainian composer, choral conductor, and teacher of international renown. His music was inspired by Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.
Craig David
Craig Ashley David MBE is a British singer, songwriter, rapper, DJ and record producer who rose to fame in 1999, featuring on the single "Re-Rewind" by Artful Dodger.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
BORA BILGIN
He was born in 1980 in Turkey.In 1998 graduated from the military music school.In 2003 graduated from the
music teacher.At this time in the conservatory training is ongoing master musicology.11 years to the military
band playing the euphonium.Approximately 6 years of military brass and wind orchestra arragements work.
music teacher.At this time in the conservatory training is ongoing master musicology.11 years to the military
band playing the euphonium.Approximately 6 years of military brass and wind orchestra arragements work.
Traditional
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna, December 24, 1893 – September 22, 1981) was an American composer and lyricist. Warren was the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing "Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, 42nd Street, choreographed by Busby Berkeley, with whom he would collaborate on many musical films.
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Luciano Berio
Luciano Berio, Cavaliere di Gran Croce OMRI (October 24, 1925 – May 27, 2003) was an Italian composer. He is noted for his experimental work (in particular his 1968 composition Sinfonia for voices and orchestra and his series of numbered solo pieces titled Sequenza) and also for his pioneering work in electronic music.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
Catalic hymn
A hymn is a type of song, usually religious, specifically written for the purpose of adoration or .... sacred music of composers ranging from Mozart to Monteverdi, the Catholic Church continued to produce many popular hymns such as Lead, .
Mussorgsky
Modest Petrovich Mussorgsky (March 21, 1839 – March 28, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Burt Bacharach
Burt Bacharach (born May 12, 1928) is an American pianist and composer. He is best known for his many pop hits from the early 1960s through the 1980s, with lyrics written by Hal David, many of which were produced for and recorded by Dionne Warwick.
As of 2006, Bacharach had written a total of 70 Top 40 hits in the US, and 52 Top 40 hits in the UK. According to britishhitsongwriters.com he is the eighteenth most successful songwriter in U.K. chart history based on weeks that his compositions have spent on the chart.
As of 2006, Bacharach had written a total of 70 Top 40 hits in the US, and 52 Top 40 hits in the UK. According to britishhitsongwriters.com he is the eighteenth most successful songwriter in U.K. chart history based on weeks that his compositions have spent on the chart.
Conrad Kocher
Conrad Kocher wrote the hymn tune DIX, to which we sing "For the Beauty of the Earth." He was born in Germany in 1786. He studied piano and composition in St. Petersburg, Russia, then went to Rome, Italy for further study. Returning to Germany, he served as organist and choirmaster in the Stiftskirche in Stuttgart.
Lam Phuong
Lam Phương, real name Lâm Đình Phùng (March 20, 1937 – December 22, 2020), was a popular Vietnamese songwriter.[1Lam Phương was born in Vĩnh Thanh Vân village, now a part of Rạch Giá, Kiên Giang Province. In the front of his house was a river, and across the river was Thập Phương Temple. As a result, his childhood memories and imagery prominently featured small rowing boats (con đò) ferrying people across the river, the sound of ringing temple bells, and vast rice paddies, which were etched in his mind throughout his life from childhood and later influenced his musical works. As a very young child, he was fascinated by the sound of ringing temple bells.
Paul Burkhard
Paul Burkhard was a Swiss composer. He primarily wrote oratorios, musicals and operettas. The contemporaneous and similarly named Swiss composer Willy Burkhard was no relation to him.
Nickelback
Nickelback is a Canadian post-grunge band formed in Hanna, Alberta by Chad Kroeger, Mike Kroeger, Ryan Peake and then-drummer Brandon Kroeger (the current drummer of Nickelback being Daniel Adair). The band is one of the most popular of the modern post-grunge genre, along with groups such as 3 Doors Down and Daughtry, performing in a significantly more radio-friendly style than the traditional, early 1990s grunge music era. Although the founders of the band hail from Hanna, Alberta, a small town east of Calgary, they are now based in Vancouver, British Columbia, Canada. The band's name originates from the nickel in change that band member Mike Kroeger gave customers at his Starbucks job—he would frequently say, "Here's your nickel back".
The band is signed to EMI at home and Roadrunner Records for the rest of the world. In July 2008, the band signed with Live Nation for three touring and album cycles, with an option for a fourth cycle. The contract includes recordings, touring, merchandise and other rights.
The band is signed to EMI at home and Roadrunner Records for the rest of the world. In July 2008, the band signed with Live Nation for three touring and album cycles, with an option for a fourth cycle. The contract includes recordings, touring, merchandise and other rights.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Elvis Costello
Elvis Costello (born Declan Patrick MacManus, 25 August 1954) is an English singer-songwriter. He came to prominence as an early participant in London's pub rock scene in the mid-1970s and later became associated with the punk/New Wave genre. Steeped in word play, the vocabulary of Costello's lyrics is broader than that of most popular songs. His music has drawn on many diverse genres; one critic described him as a "pop encyclopedia", able to "reinvent the past in his own image".
Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male. In 2003, Elvis Costello & the Attractions was inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.
Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male. In 2003, Elvis Costello & the Attractions was inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.
Assis Valente
Assis Valente Musical composer Born: March 19, 1911, Santo Amaro, State of Bahia, Brazil Died: March 6, 1958, Rio de Janeiro, State of Rio de Janeiro, Brazil Albums: Assis Valente (Acervo Funarte), MOR
Vincenzo Simmarano
Vincenzo Simmarano began his studies by first graduating with full marks in flute at the E.R. Duni of Matera, he subsequently studied Composition with the Masters Valentino Miserachs and Azio Corghi at the Giuseppe Verdi Conservatory in Milan, also graduating with full marks, also obtaining honors.
In 2000 he was the winner of the City of Pavia prize with "The Second Time" a composition for piano. In 2003 with the composition "Sacred compositions" he was the winner of the Competition for Choral Composition of Castagneto Carducci. Among other prizes and awards, he was among the winners of the national competitions for the chair of "General musical culture" and "Harmony and counterpoint". Among his recent publications, several works stand out including: "Forteforte", an opera composed from three suites for piano published by the Edizioni Musicali Sinfonica Jazz, "Neon" a composition for guitar, and "Snapshots" contained in the disc "Combinazioni.
In 2000 he was the winner of the City of Pavia prize with "The Second Time" a composition for piano. In 2003 with the composition "Sacred compositions" he was the winner of the Competition for Choral Composition of Castagneto Carducci. Among other prizes and awards, he was among the winners of the national competitions for the chair of "General musical culture" and "Harmony and counterpoint". Among his recent publications, several works stand out including: "Forteforte", an opera composed from three suites for piano published by the Edizioni Musicali Sinfonica Jazz, "Neon" a composition for guitar, and "Snapshots" contained in the disc "Combinazioni.
Robert Craft
Robert Lawson Craft was an American conductor and writer. He is best known for his intimate professional relationship with Igor Stravinsky, on which Craft drew in producing numerous recordings and books.
Charles D'Albert
Eugen Francis Charles d'Albert was a Scottish-born pianist and composer. Educated in Britain, d'Albert showed early musical talent and, at the age of seventeen, he won a scholarship to study in Austria
Sarah McLachlan
Sarah Ann McLachlan, OC, OBC (born January 28, 1968) is a Grammy-winning Canadian musician, singer and songwriter.
She is known for the emotional sound of her ballads. Some of her most popular songs include "Angel", "Building a Mystery", "Adia", "Possession", "Fallen", "I Will Remember You", and "World on Fire". As of 2006, she has sold over 40 million albums worldwide. Her best-selling album to date is Surfacing, for which she won eight Juno Awards and three Grammy Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians in the late 1990s.
Her 1991 album, Solace, was her mainstream breakthrough in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire". Solace also marked the beginning of her partnership with Pierre Marchand. Marchand and McLachlan have been collaborators ever since, with Marchand producing all of McLachlan's albums and occasionally co-writing songs.
1994's Fumbling Towards Ecstasy was an immediate smash hit in Canada. From her Nettwerk connection, her piano version of the song "Possession" was included on the first Due South soundtrack in 1996. Over the next two years, Fumbling Towards Ecstasy quietly became McLachlan's international breakthrough as well, scaling the charts in a number of countries.
Following the success from Fumbling Towards Ecstasy, McLachlan returned in 1997 with Surfacing, her best selling album to date. Earning her two Grammy awards and four Junos, the album has since sold over 11 million copies worldwide and brought her much international success
She is known for the emotional sound of her ballads. Some of her most popular songs include "Angel", "Building a Mystery", "Adia", "Possession", "Fallen", "I Will Remember You", and "World on Fire". As of 2006, she has sold over 40 million albums worldwide. Her best-selling album to date is Surfacing, for which she won eight Juno Awards and three Grammy Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians in the late 1990s.
Her 1991 album, Solace, was her mainstream breakthrough in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire". Solace also marked the beginning of her partnership with Pierre Marchand. Marchand and McLachlan have been collaborators ever since, with Marchand producing all of McLachlan's albums and occasionally co-writing songs.
1994's Fumbling Towards Ecstasy was an immediate smash hit in Canada. From her Nettwerk connection, her piano version of the song "Possession" was included on the first Due South soundtrack in 1996. Over the next two years, Fumbling Towards Ecstasy quietly became McLachlan's international breakthrough as well, scaling the charts in a number of countries.
Following the success from Fumbling Towards Ecstasy, McLachlan returned in 1997 with Surfacing, her best selling album to date. Earning her two Grammy awards and four Junos, the album has since sold over 11 million copies worldwide and brought her much international success
LeAnn Rimes
LeAnn Rimes (born Margaret LeAnn Rimes August 28, 1982 in Pearl, Mississippi) is an American country pop singer and songwriter. Rimes's debut single, "Blue", was released when she was only 13 years old. By the age of 24 she had sold over 37 million albums. She has won an American Music Award, two Grammy Awards, three Academy of Country Music Awards, and twelve Billboard Music Awards. She holds four important records in the music industry: She is the youngest person to win a Grammy and the first country artist to win the Grammy for Best New Artist. Her version of "How Do I Live" is the longest charting song on the U.S. Hot 100 at 69 weeks; this was the second multi-platinum country single ever, the first being Kenny Rogers and Dolly Parton's 1983 hit Islands in the Stream.
She is often compared to other previous teen stars, like Brenda Lee and Tanya Tucker. Unlike most other child stars, Rimes, like Tanya Tucker has remained successful in music in adulthood, recording various kinds of music, including rhythm and blues and pop music.
She is often compared to other previous teen stars, like Brenda Lee and Tanya Tucker. Unlike most other child stars, Rimes, like Tanya Tucker has remained successful in music in adulthood, recording various kinds of music, including rhythm and blues and pop music.
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков, Nikolaj Andreevič Rimskij-Korsakov, Russian pronunciation: ) (18 March 1844, – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Cliff Richard
Sir Cliff Richard, (born Harry Roger Webb on 14 October 1940) is an English singer, actor and businessman.
With his backing band The Shadows, Richard dominated the British popular music scene in the late 1950s and early 1960s, before and during the The Beatles' first year in the charts. A conversion to Christianity and subsequent softening of his music led to his having more of a pop than rock image. He never achieved the same impact in the United States despite several chart singles there, but he has remained a popular music, film, and television personality in the UK and he retains a following in other countries.
"Living Doll" is a popular song by Cliff Richard and the Shadows (then still The Drifters).
Written by Lionel Bart it was originally recorded in 1959 by Cliff Richard and the Drifters and produced by Norrie Paramor. It peaked at #1 on the UK singles chart for six weeks from July 1959, selling over a million copies in the process. The song won Bart an Ivor Novello Award for best song. The song was Richard's first US hit single reaching #30 on the Billboard Hot 100. It is featured in the film Serious Charge and was also released on the Serious Charge 7" EP (Columbia SEG 7895).
With his backing band The Shadows, Richard dominated the British popular music scene in the late 1950s and early 1960s, before and during the The Beatles' first year in the charts. A conversion to Christianity and subsequent softening of his music led to his having more of a pop than rock image. He never achieved the same impact in the United States despite several chart singles there, but he has remained a popular music, film, and television personality in the UK and he retains a following in other countries.
"Living Doll" is a popular song by Cliff Richard and the Shadows (then still The Drifters).
Written by Lionel Bart it was originally recorded in 1959 by Cliff Richard and the Drifters and produced by Norrie Paramor. It peaked at #1 on the UK singles chart for six weeks from July 1959, selling over a million copies in the process. The song won Bart an Ivor Novello Award for best song. The song was Richard's first US hit single reaching #30 on the Billboard Hot 100. It is featured in the film Serious Charge and was also released on the Serious Charge 7" EP (Columbia SEG 7895).
Richard Wagner
Wilhelm Richard Wagner (pronounced /ˈvɑːɡnər/, German pronunciation: ; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Saint Saens
Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor, and pianist, known especially for The Carnival of the Animals, Danse Macabre, Samson and Delilah, Havanaise, Introduction and Rondo capriccioso, and his Symphony No. 3 (Organ Symphony).
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Glenn Miller Orchestra
This article is about the band that Glenn Miller fronted. For the band that performed after his disappearance, see Glenn Miller Orchestra (1956–present).
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Mulan
Mulan is a 1998 animated feature film produced by Walt Disney Feature Animation, and released by Walt Disney Pictures on June 19, 1998. The thirty-sixth animated feature in the Disney animated features canon, the film is based on the Chinese legend of Hua Mulan, and was the first of three produced primarily at the animation studio at Disney-MGM Studios in Orlando, Florida. It was directed by Tony Bancroft and Barry Cook, with the story by Robert D. San Souci and Rita Hsiao, among others. The film was part of the Disney Renaissance that began in 1989.
Jimmy Webb
Jimmy Layne Webb (born August 15, 1946 in Elk City, Oklahoma) is an American songwriter. His compositions include "Up, Up and Away", "By the Time I Get to Phoenix", "Wichita Lineman", "Galveston" and "MacArthur Park". His songs have been recorded or performed by Glen Campbell, The 5th Dimension, The Supremes, Richard Harris, Frank Sinatra, Elvis Presley, Isaac Hayes, R.E.M., and Chet Atkins, among others. According to BMI, his song "By the Time I Get to Phoenix" was the third most performed song in the fifty years between 1940 to 1990. He is the only artist to have ever received Grammy Awards for music, lyrics, and orchestration.
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist. Though Thelonious Monk was a close friend and influence, his greatest piano influence was Art Tatum.
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony."
Along with Charlie Parker, Monk, and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz, or bebop. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony."
Renato Zero
Renato Zero (Italian pronunciation: ) is the stage name of Renato Fiacchini (born 30 September 1950), an Italian singer, songwriter, producer, dancer and actor whose career spans a full six decades, from the 1960s to the 2010s, with 40 million records sold, becoming one of the best-selling Italian music artists.
Depeche Mode
Depeche Mode (IPA: , də-PESH) are an English electronic band who formed in 1980, in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andrew Fletcher (keyboards) and Vince Clarke (keyboards, chief songwriter 1980–81). Vince Clarke left the band after the release of their 1981 debut album, and was replaced by Alan Wilder (keyboards, drums, production) with Gore taking over songwriting. Wilder left the band in 1995 and since then Gahan, Gore, and Fletcher have continued as a trio.
Depeche Mode are one of the most successful, longest-lived bands from the early 1980s. They have had forty-five songs in the UK Singles Chart and #1 albums in UK, US and throughout Europe. According to EMI, Depeche Mode have sold over 75 million albums worldwide, as part of total worldwide record sales (including singles) in excess of 100 million.
Depeche Mode are one of the most successful, longest-lived bands from the early 1980s. They have had forty-five songs in the UK Singles Chart and #1 albums in UK, US and throughout Europe. According to EMI, Depeche Mode have sold over 75 million albums worldwide, as part of total worldwide record sales (including singles) in excess of 100 million.
Jaco Pastorius
John Francis Anthony "Jaco" Pastorius III was an American jazz bassist who was a member of Weather Report from 1976 to 1981. He worked with Pat Metheny and Joni Mitchell, and recorded albums as a solo artist and band leader. His bass playing employed funk, lyrical solos, bass chords, and innovative harmonics.
billy cobham
William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra. According to AllMusic's reviewer, Cobham is "generally acclaimed as fusion's greatest drummer".
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.
The Carpenters
The Carpenters were a vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. Though often referred to by the public as "The Carpenters", the duo's official name on authorized recordings and press materials is simply "Carpenters", without the definite article. During a period in the 1970s when louder and wilder rock was in great demand, Richard and Karen produced a distinctively soft musical style that made them one of the best-selling music artists of all time.
The Carpenters' melodic pop charted a record-breaking score of hit recordings on the American Top 40 and Adult Contemporary charts, becoming leading sellers in the soft rock, easy listening and adult contemporary genres. The Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary Chart (see The Carpenters discography). In addition, they had twelve top 10 singles (including their #1 hits). To date, The Carpenters' album and single sales total more than 100 million units.
During their fourteen-year career, The Carpenters recorded eleven albums, five of which contained top 10 singles (Close to You, Carpenters, A Song for You, Now & Then and Horizon), thirty-one singles, five television specials, and one short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen's death on February 4, 1983. Karen passed away due to a cardiac arrest due to complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.
The Carpenters' melodic pop charted a record-breaking score of hit recordings on the American Top 40 and Adult Contemporary charts, becoming leading sellers in the soft rock, easy listening and adult contemporary genres. The Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary Chart (see The Carpenters discography). In addition, they had twelve top 10 singles (including their #1 hits). To date, The Carpenters' album and single sales total more than 100 million units.
During their fourteen-year career, The Carpenters recorded eleven albums, five of which contained top 10 singles (Close to You, Carpenters, A Song for You, Now & Then and Horizon), thirty-one singles, five television specials, and one short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen's death on February 4, 1983. Karen passed away due to a cardiac arrest due to complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.
Avenue Q
Avenue Q is a musical conceived by Robert Lopez and Jeff Marx, who wrote the music and lyrics, and directed by Jason Moore. The book is by Jeff Whitty. The show was produced by and opened at the Off-Broadway Vineyard Theatre in March 2003. The production transferred to Broadway in July 2003 and won several Tony Awards, including the award for Best Musical. It is still running on Broadway and holds the position of 26th longest running musical in Broadway history. The show has spawned a 2005 Las Vegas production, a 2006 West End production and various international productions. A U.S. national tour began in July 2007.
The show is largely inspired by (and is in the style of) Sesame Street: Most of the characters in the show are puppets (operated by actors onstage), the set depicts several tenements on a rundown street in an "outer borough" of New York City, both the live characters and puppet characters sing, and short animated video clips are played as part of the story. Also, several characters are recognizably parodies of classic Sesame Street characters: for example, the roommates Rod and Nicky are versions of Sesame Street's Bert and Ernie, and Trekkie Monster is based on Cookie Monster. However, the characters are in their twenties and thirties and face adult problems instead of those faced by pre-schoolers, thus making the show more suited for the adults who grew up with Sesame Street. The characters use profanity, and the songs concern adult themes (except the opening number). A recurring theme is the central character's search for a "purpose." Since the musical soundtrack for it was released, the song "The Internet is For Porn" has become particularly popular on websites such as YouTube and can be downloaded for free from the official website. According to the official site, the musical is appropriate for both adults and teenagers.
The show is largely inspired by (and is in the style of) Sesame Street: Most of the characters in the show are puppets (operated by actors onstage), the set depicts several tenements on a rundown street in an "outer borough" of New York City, both the live characters and puppet characters sing, and short animated video clips are played as part of the story. Also, several characters are recognizably parodies of classic Sesame Street characters: for example, the roommates Rod and Nicky are versions of Sesame Street's Bert and Ernie, and Trekkie Monster is based on Cookie Monster. However, the characters are in their twenties and thirties and face adult problems instead of those faced by pre-schoolers, thus making the show more suited for the adults who grew up with Sesame Street. The characters use profanity, and the songs concern adult themes (except the opening number). A recurring theme is the central character's search for a "purpose." Since the musical soundtrack for it was released, the song "The Internet is For Porn" has become particularly popular on websites such as YouTube and can be downloaded for free from the official website. According to the official site, the musical is appropriate for both adults and teenagers.
Alexander Scriabin
Alexander Nikolayevich Scriabin (/skriˈæbɪn/; Russian: Алекса́ндр Никола́евич Скря́бин; 6 January 1872 – 27 April 1915) was a Russian composer and pianist. Scriabin's early work is characterised by a lyrical and idiosyncratic tonal language influenced by Frédéric Chopin. Later in his career, independently of Arnold Schoenberg, Scriabin developed a substantially atonal and much more dissonant musical system, accorded to mysticism. Scriabin was influenced by synesthesia, and associated colors with the various harmonic tones of his atonal scale, while his color-coded circle of fifths was also influenced by theosophy. He is considered by some to be the main Russian Symbolist composer.
Scriabin was one of the most innovative and most controversial of early modern composers. The Great Soviet Encyclopedia said of Scriabin that, "No composer has had more scorn heaped or greater love bestowed..." Leo Tolstoy once described Scriabin's music as "a sincere expression of genius." Scriabin had a major impact on the music world over time, and influenced composers like Roy Agnew, Nikolai Roslavets, Sergei Prokofiev and Igor Stravinsky. Scriabin's importance in the Soviet musical scene, and internationally, drastically declined. "No one was more famous during their lifetime, and few were more quickly ignored after death." In the 1970s, for instance, there were only three recordings of his complete (published) sonatas. Yet Scriabin's work has steadily regained popularity in recent years.
Scriabin was one of the most innovative and most controversial of early modern composers. The Great Soviet Encyclopedia said of Scriabin that, "No composer has had more scorn heaped or greater love bestowed..." Leo Tolstoy once described Scriabin's music as "a sincere expression of genius." Scriabin had a major impact on the music world over time, and influenced composers like Roy Agnew, Nikolai Roslavets, Sergei Prokofiev and Igor Stravinsky. Scriabin's importance in the Soviet musical scene, and internationally, drastically declined. "No one was more famous during their lifetime, and few were more quickly ignored after death." In the 1970s, for instance, there were only three recordings of his complete (published) sonatas. Yet Scriabin's work has steadily regained popularity in recent years.